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|Gold case for a Venician manuscript Megillat Esther. Not ours.|
Israel Nathan Soncino established the first really successful venture in the printing of Hebrew books in Soncino (In Cremona between Brescia and Pavia) in 1483 with his editions of Masekhet Berakhot and Betsah. Though he passed through Venice he never engaged in printing there. As a consequence of many vicissitudes the family enterprise was ultimately transferred to Constantinople where they were the first printers of any book as well as the first printers of a Hebrew book in that locality. In honor of that association we include an imprint from Constantinople with our Venician imprints.
The first recorded Hebrew imprint in Venice was in 1500. It was an alef-bet book with instructions in Latin printed by Aldus Mantius. Further Hebrew printing did not occur until 1511 and the first era of Venician Hebrew printing did not begin in earnest until Daniel Bomberg, a Christian printer with the support of the pope began printing in 1519. It was the competition of Bomberg that forced the Soncino's to leave Italy. Bomberg had among his printers apostate Jews with whom the Soncino's began a quarrel that cost them their patronage and in general drew unwanted attention to the role of Jews in printing. Bomberg completely dominated Hebrew printing into the 1540s when Cornelius B. Baruch Adelkind who had long worked for him began working with Giovvani de Gara, on his own and finally for Marc Antonio Giustiniani. Bomberg died in 1549 or 1550 and his last publication was in 1549. Giustiniani began publishing in 1546. The Bragadini family sought to enter the Hebrew printing market. Aloisio Bragadini's first publication was an edition of the Mishneh Torah of Maimonides which came out in 1550. A tremendous dispute began between the house of the Giustiniani and the Bragadini. They each employed several Jewish apostates to make their case for their own virtues before the papal courts in Rome. The rather horrid result of this advocacy was the resolution of the church to suppress the Talmud which lead to the destruction of perhaps hundreds of thousands of Hebrew books and manuscripts.
Hebrew printing was almost completely disrupted between 1553 when the Papal Bull was issued and 1556 when Hebrew printing did begin to return. The subsequent output of the Venician presses is noticeably different. The emphasis on Talmudic Masekhtot gave way to the printing of bibles, prayer books and original works by contemporary authors.
Below we offer one Giustiniani and one Bragadini imprint as well as one other from a lesser publisher.
Pardo, David Samuel ben Jacob. Sefer Shoshanim le-David: ve-hu hibur nifla al shita sidre Mishnah ... Helek Sheni [of Two]. Venice, Bi-defus Me'ir Da Zara, 1751/2. Octavo, brown leather spine with raised banks, loss at the ends, paper label continues from board to board across the spine, marbled paper covered boards, lacking the free front endpaper, mild loss and repair to the title page, penned marginalia in the margin of the following leaf, 220 leaves [440 pp.], with significant loss and repair to the final four leaves. Hardbound. Poor. Text is in Hebrew. This work, the author's first published, appeared while the author was still in his thirties. He was born in Venice and held various Rabbinical positions in Adriatic Jewish communities before retiring to the Holy Land in his old Age. Da Zara was a minor figure who published a few books in Venice starting in 1842 and continuing into the 1850s. (83578) $195.00
Hamishah Humshe Torah: Hebraicus Pentateuchus latinus plane´que nouus post omnes hactenus aeditiones euulgatus ac hebraice veritati quoad ejus fieri potuit, conformatus : adjectis insuper e rabinorum commentariis annotationibus [by S. Munster]. Item Cantica Canticorum, Ruth, Threni, Ecclesiastes, Esther. Venice, Ex Officina Justiniana [Marco Antonio Giustiniani], 1551. Octavo, modern rebacking in olive cloth with a brown leather label with gold lettering, ccviii, 209-376 leaves [752 pp.], repairs at the margins of the title page and the first xxxvi leaves, many pages have Latin notes in the margins and there is a great deal of worming in the margins effecting these notes. However, the repairs and notes rarely enter into the area of the type block. With a full page printers device of the Bet Ha-Mikdash on the final page. An article on the printer's mark, "The Printer’s Mark Of Marco Antonio Giustiniani And The Printing Houses That Utilized It," by M.J. Heller, appears in "Studies in the Making of the Early Hebrew Book, Volume 15," Leiden, Brill, 2007. With head pieces at the beginning of Bereshit, Vayikra, Bamidbar, Devarim, and Shir Ha-Shirim.
|Spine and rear board.|
|Early page with marginalia and damage.|
|Typical clean later pages.|
|Colophon page illustration.|
Amram, David. The Makers of Hebrew Books in Italy. New York, Holland Press, 1963 .
The Jewish Encyclopedia.
Popper, William. The Censorship of Hebrew Books. New York, Ktav Publishing House, Inc., 1969.
Vinograd, Yeshayahu. Otsar Ha-Sefer Ha-Ivri. Jerusalem, Ha-Makhon La-Bibliografyah Me-Muhshevet, 1994.
Yaari, Abraham. Ha-Defus ha-Ivri be-Ḳushṭa: ... me-reshito ad perots milḥemet ha-olam ha-sheniyah, u-reshimat ha-sefarim she-nidpesu bah. Jerusalem, The Magnes Press, The Hebrew University, 1967. Supplement to Kiryat Sefer, vol. XLII.